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Vitra Miniatura Greene Street chair, Pesce: Gaetano Pesce unites individuality and industrial manufacturing techniques with individual, amorphous forms in his designs. Since the early 1970s he has relied on the moldable qualities of materials such as polyester, polyurethane foam, cloth balls or felt and livens up these materials with incidental elements.
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Vitra Miniatura Greene Street chair, Pesce: Gaetano Pesce unites individuality and industrial manufacturing techniques with individual, amorphous forms in his designs. Since the early 1970s he has relied on the moldable qualities of materials such as polyester, polyurethane foam, cloth balls or felt and livens up these materials with incidental elements. In contrast to some sterile industrial objects, such works stimulate all the senses. The Greene Street chair, named after a street close to Pesce’s New York studio, resembles a multi ped insect. The irregular, highly polished chair body rests on eight legs of thin metal rods with feet made of suction cups. A face can be discerned on the backrest. The nose, a red dash of color, seems to have walked onto the seat area. This red stroke of color is typical of Pesce and as an unmistakable design feature located in a different place on every chair. Steel, glass-fiber reinforced plastic.
The collection of the Vitra Design Museum en miniature: The Miniatures Collection of the Vitra Design Museum covers the most important pieces from the international history of design from 1850 up to the present. The construction, materials and colours of the miniatures correspond precisely to the historical original. Extensive development work was carried out to adapt the manufacturing techniques to the requirements of miniaturization. Because they are so true to the originals, the miniatures are not only collector’s objects for furniture enthusiasts, but also serve as ideal illustrative material for universities and design schools. At present, the collection encompasses 80 models on a 1:6 scale with further pieces being continually added. The models come in their own wooden box and are accompanied by a descriptive brochure with details on the design. Net proceeds from the sale of the miniatures go towards the exhibitions and workshops of Vitra Design Museum.
Miniaturization means concentration: Vitra Design Museum faithfully replicates furniture design classics in miniaturized three-dimensional form. Many of these designs, like the chaise longue by Le Corbusier or the red-blue chair by Gerrit Rietveld, are as widely known today as the most celebrated works of art and are coveted by museums and collectors the world over. These miniatures illustrate at a glance what design means and what role it plays in the industrial production process. The clear and concentrated world of the miniatures yields a fascinating reflection of the stylistic diversity of contemporary design and provides a unique way of accessing the history of furniture design.
The manufacture of the miniatures: Vitra Design Museum has one of the most renowned collections of industrial furniture design – from the infancy of industrial mass production in the mid-19th century through the designs of functionalistic Modernism up to the postmodern furniture objects of the present day. With its many exhibits, the collection provides us with an ideal base for developing new furniture miniatures. Model builders measure the historical original in the museum collection, scale this down to one sixth of the original size and compile technical documentation. Subsequently, materials and manufacturing techniques are tested over a period of several months: the shapes are formed, materials and processes are selected, art historical research on the objects is conducted and then the production sequences are defined.